Gawaine, aware again of Lancelot In the King’s garden, coughed and followed him; Whereat he turned and stood with folded arms And weary-waiting eyes, cold and half-closed— Hard eyes, where doubts at war with memories Fanned a sad wrath. “Why frown upon a friend? Few live that have too many,” Gawaine said, And wished unsaid, so thinly came the light Between the narrowing lids at which he gazed. “And who of us are they that name their friends?” Lancelot said. “They live that have not any. Why do they live, Gawaine? Ask why, and answer.”
Two men of an elected eminence, They stood for a time silent. Then Gawaine, Acknowledging the ghost of what was gone, Put out his hand: “Rather, I say, why ask? If I be not the friend of Lancelot, May I be nailed alive along the ground And emmets eat me dead. If I be not The friend of Lancelot, may I be fried With other liars in the pans of hell. What item otherwise of immolation Your Darkness may invent, be it mine to endure And yours to gloat on. For the time between, Consider this thing you see that is my hand. If once, it has been yours a thousand times; Why not again? Gawaine has never lied To Lancelot; and this, of all wrong days— This day before the day when you go south To God knows what accomplishment of exile— Were surely an ill day for lies to find An issue or a cause or an occasion. King Ban your father and King Lot my father, Were they alive, would shake their heads in sorrow To see us as we are, and I shake mine In wonder. Will you take my hand, or no? Strong as I am, I do not hold it out For ever and on air. You see—my hand.” Lancelot gave his hand there to Gawaine, Who took it, held it, and then let it go, Chagrined with its indifference. “Yes, Gawaine, I go tomorrow, and I wish you well; You and your brothers, Gareth, Gaheris,— And Agravaine; yes, even Agravaine, Whose tongue has told all Camelot and all Britain More lies than yet have hatched of Modred’s envy. You say that you have never lied to me, And I believe it so. Let it be so. For now and always. Gawaine, I wish you well. Tomorrow I go south, as Merlin went, But not for Merlin’s end. I go, Gawaine, And leave you to your ways. There are ways left.” “There are three ways I know, three famous ways, And all in Holy Writ,” Gawaine said, smiling: “The snake’s way and the eagle’s way are two, And then we have a man’s way with a maid— Or with a woman who is not a maid. Your late way is to send all women scudding, To the last flash of the last cramoisy, While you go south to find the fires of God. Since we came back again to Camelot From our immortal Quest—I came back first— No man has known you for the man you were Before you saw whatever ’t was you saw, To make so little of kings and queens and friends Thereafter. Modred? Agravaine? My brothers? And what if they be brothers? What are brothers, If they be not our friends, your friends and mine? You turn away, and my words are no mark On you affection or your memory? So be it then, if so it is to be. God save you, Lancelot; for by Saint Stephen, You are no more than man to save yourself.”
“Gawaine, I do not say that you are wrong, Or that you are ill-seasoned in your lightness; You say that all you know is what you saw, And on your own averment you saw nothing. Your spoken word, Gawaine, I have not weighed In those unhappy scales of inference That have no beam but one made out of hates And fears, and venomous conjecturings; Your tongue is not the sword that urges me Now out of Camelot. Two other swords There are that are awake, and in their scabbards Are parching for the blood of Lancelot. Yet I go not away for fear of them, But for a sharper care. You say the truth, But not when you contend the fires of God Are my one fear,—for there is one fear more. Therefore I go. Gawaine, I wish you well.”
“Well-wishing in a way is well enough; So, in a way, is caution; so, in a way, Are leeches, neatherds, and astrologers. Lancelot, listen. Sit you down and listen: You talk of swords and fears and banishment. Two swords, you say; Modred and Agravaine, You mean. Had you meant Gaheris and Gareth, Or willed an evil on them, I should welcome And hasten your farewell. But Agravaine Hears little what I say; his ears are Modred’s. The King is Modred’s father, and the Queen A prepossession of Modred’s lunacy. So much for my two brothers whom you fear, Not fearing for yourself. I say to you, Fear not for anything—and so be wise And amiable again as heretofore; Let Modred have his humor, and Agravaine His tongue. The two of them have done their worst, And having done their worst, what have they done? A whisper now and then, a chirrup or so In corners,—and what else? Ask what, and answer.”
Still with a frown that had no faith in it, Lancelot, pitying Gawaine’s lost endeavour To make an evil jest of evidence, Sat fronting him with a remote forbearance— Whether for Gawaine blind or Gawaine false, Or both, or neither, he could not say yet, If ever; and to himself he said no more Than he said now aloud: “What else, Gawaine? What else, am I to say? Then ruin, I say; Destruction, dissolution, desolation, I say,—should I compound with jeopardy now. For there are more than whispers here, Gawaine: The way that we have gone so long together Has underneath our feet, without our will, Become a twofold faring. Yours, I trust, May lead you always on, as it has led you, To praise and to much joy. Mine, I believe, Leads off to battles that are not yet fought, And to the Light that once had blinded me. When I came back from seeing what I saw, I saw no place for me in Camelot. There is no place for me in Camelot. There is no place for me save where the Light May lead me; and to that place I shall go. Meanwhile I lay upon your soul no load Of counsel or of empty admonition; Only I ask of you, should strife arise In Camelot, to remember, if you may, That you’ve an ardor that outruns your reason, Also a glamour that outshines your guile; And you are a strange hater. I know that; And I’m in fortune that you hate not me. Yet while we have our sins to dream about, Time has done worse for time than in our making; Albeit there may be sundry falterings And falls against us in the Book of Man.”
“Praise Adam, you are mellowing at last! I’ve always liked this world, and would so still; And if it is your new Light leads you on To such an admirable gait, for God’s sake, Follow it, follow it, follow it, Lancelot; Follow it as you never followed glory. Once I believed that I was on the way That you call yours, but I came home again To Camelot—and Camelot was right, For the world knows its own that knows not you; You are a thing too vaporous to be sharing The carnal feast of life. You mow down men Like elder-stems, and you leave women sighing For one more sight of you; but they do wrong. You are a man of mist, and have no shadow. God save you, Lancelot. If I laugh at you, I laugh in envy and in admiration.”
The joyless evanescence of a smile, Discovered on the face of Lancelot By Gawaine’s unrelenting vigilance, Wavered, and with a sullen change went out; And then there was the music of a woman Laughing behind them, and a woman spoke: “Gawaine, you said ‘God save you, Lancelot.’ Why should He save him any more to-day Than on another day? What has he done, Gawaine, that God should save him?” Guinevere, With many questions in her dark blue eyes And one gay jewel in her golden hair, Had come upon the two of them unseen, Till now she was a russet apparition At which the two arose—one with a dash Of easy leisure in his courtliness, One with a stately calm that might have pleased The Queen of a strange land indifferently. The firm incisive languor of her speech, Heard once, was heard through battles: “Lancelot, What have you done to-day that God should save you? What has he done, Gawaine, that God should save him? I grieve that you two pinks of chivalry Should be so near me in my desolation, And I, poor soul alone, know nothing of it. What has he done, Gawaine?”
With all her poise, To Gawaine’s undeceived urbanity She was less queen than woman for the nonce, And in her eyes there was a flickering Of a still fear that would not be veiled wholly With any mask of mannered nonchalance. “What has he done? Madam, attend your nephew; And learn from him, in your incertitude, That this inordinate man Lancelot, This engine of renown, this hewer down daily Of potent men by scores in our late warfare, Has now inside his head a foreign fever That urges him away to the last edge Of everything, there to efface himself In ecstasy, and so be done with us. Hereafter, peradventure certain birds Will perch in meditation on his bones, Quite as if they were some poor sailor’s bones, Or felon’s jettisoned, or fisherman’s, Or fowler’s bones, or Mark of Cornwall’s bones. In fine, this flower of men that was our comrade Shall be for us no more, from this day on, Than a much remembered Frenchman far away. Magnanimously I leave you now to prize Your final sight of him; and leaving you, I leave the sun to shine for him alone, Whiles I grope on to gloom. Madam, farewell; And you, contrarious Lancelot, farewell.”