The Ekka institution bares us all, though call it Exhibition, Royal Queensland Show, it’s that time of year when you will go in liberal spirit where the spectacle of fantasies escrow.
Gaudy frills and simple bunting still excites the passive soul, ignites the fires patrolled by commonsense and daily grind, enlivens dour inclines with smeared hypnotic flossy smiles.
You wander for a while, mouth agape in milling throng diffused with sounds and smells both strong and rank and rare, ponder if you dare but move along or stand aside, or be beleaguered in the tide.
Agile sellers spruik their wares in choral dissonance from booths that crowd the narrow ways, writhing from displays of goods you’ll never need or ever use, their cries confuse your commonsense.
The eyes in distant faces move in hazy motion, dazed, endangered for the moment short of focus, searching for a locus to engage, staring still amazed and buried in a trance-like syrup dance.
You pay and pay for things you never buy, consume exotic fruits that sellers ply like smarmy snakes entwined in hanging vines within your reach, devour the pith and core and seeds and then seek more.
You watch events you cannot comprehend, comments from the cryer broadcast from the centre ring amuse, confuse or drive you from your seat, you applaud in concert with the station hands who seem to understand.