Twice in my quickly disappearing forties someone called while someone I loved and I were making love to tell me another woman had died of cancer.
Seven years apart, and two different lovers: underneath the numbers, how lives are braided, how those women's death and lives, lived and died, were interleaved also.
Does lip touch on lip a memento mori? Does the blood-thrust nipple against its eager mate recall, through lust, a breast's transformations sometimes are lethal?
Now or later, what's the enormous difference? If one day is good, is a day sufficient? Is it fear of death with which I'm so eager to live my life out
now and in its possible permutations with the one I love? (Only four days later, she was on a plane headed west across the Atlantic, work-bound.)
Men and women, mortally wounded where we love and nourish, dying at thirty, forty, fifty, not on barricades, but in beds of unfulfilled promise:
tell me, senators, what you call abnormal? Each day's obits read as if there's a war on. Fifty-eight-year-old poet dead of cancer: warrior woman
laid down with the other warrior women. Both times when the telephone rang, I answered, wanting not to, knowing I had to answer, go from two bodies'
infinite approach to a crest of pleasure through the disembodied voice from a distance saying one loved body was clay, one wave of mind burst and broken.
Each time we went back to each other's hands and mouths as to a requiem where the chorus sings death with irrelevant and amazing bodily music.