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Dickeyville Grotto by Mark Doty
The priest never used blueprints, but worked all the many designs out of his head.
Father Wilerus, transplanted Alsatian, built around this plain Wisconsin
redbrick church a coral-reef en- crustation--meant, the brochure says,
to glorify America and heaven simul- taneously. Thus: Mary and Columbus
and the Sacred Heart equally enthroned in a fantasia of quartz and seashells, broken
dishes, stalactites and stick-shift knobs-- no separation of nature and art
for Father Wilerus! He's built fabulous blooms --bristling mosaic tiles bunched into chipped,
permanent roses--- and more glisteny stuff than I can catalogue, which seems to he the point:
a spectacle, saints and Stars and Stripes billowing in hillocks of concrete. Stubborn
insistence on rendering invisibles solid. What's more frankly actual than cement? Surfaced,
here, in pure decor: even the railings curlicued with rows of identical whelks,
even the lampposts and birdhouses, and big encrusted urns wagging with lunar flowers!
A little dizzy, the world he's made, and completely unapologetic, high
on a hill in Dickeyville so the wind whips around like crazy. A bit pigheaded,
yet full of love for glitter qua glitter, sheer materiality; a bit foolhardy
and yet -- sly sparkle -- he's made matter giddy. Exactly what he wanted, I'd guess: the very stones
gone lacy and beaded, an airy intricacy of froth and glimmer. For God? Country?
Lucky man: his purpose pales beside the fizzy, weightless fact of rock.
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