Many setups. At least as many falls. Winter is paralyzing the country, but not here. Here, the boys are impersonating songs of indigenous wildlife. Mockingbird on the roof of the Gun Shop, scrub jay behind the Clear Lake Saloon. And when she darts into a drugstore for a chocolate-covered almond bar, sparrow hawks get the picture and drive off in her car. Easy as 8th & Spring Street, a five-course meal the size of a dime. Easy as vistas admired only from great distance, explain away the mystery and another thatched village is cluster-bombed. Everyone gets what he wants nowadays. Anything you can think of is probably true. And so, nothing. Heaven on earth. The ruse of answers. A couple-three-times around the block and ignorance is no longer a good excuse. There were none. Only moods arranged like magazines and bones, a Coke bottle full of roses, the dark, rickety tables about the room. And whenever it happens, well, it’s whatever it takes, a personality that is not who you are but a system of habitual reactions to another light turning green, the free flow of traffic at the center of the universe where shops are always open and it’s a complete surprise each time you’re told that minding your own business has betrayed your best friend. But that’s over, that’s history, the kind of story that tends to have an ending, the code inside your haunted head. Easy as guilt. As waking and sleeping, sitting down to stand up, sitting down to go out walking, closing our eyes to see in the nocturnal light of day. “Treblinka was a primitive but proficient production line of death,” says a former SS Untersharfurer to the black sharecropper-grandchild of slavery who may never get over the banality of where we look. Only two people survived the Warsaw uprising, and the one whose eyes are paths inward, down into the soft grass, into his skeleton, who chain-smokes and drinks, is camera shy, wears short-sleeved shirts, manages to mumble, “If you could lick my heart, it would poison you.”